Myth & Mire

The Mirth and the Cradle Choir

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It hums. Still. Even now. Even here.

"Beneath the lamb pastures and the broken glades, where the mists boil low and heavy, the world still hums.
It hums not with wind, nor river, nor beast — but with something older. Something deeper.
Something that remembers us better than we remember it."
Griswold Cain, Lamentwood Cradle

I first heard it in the mud.

Not from a mouth, nor a bird, nor the wind between branches — but a deep, yawning hum, like a lullaby forgotten by the world and still somehow being sung.

The locals call them Mirths. Some with reverence. Some with dread. Some believe there are twelve. Others claim thirteen. I’ve not found them all, but I’ve stood at the foot of one — rooted in earth like a cathedral made of silence and song.

The Mirths do not speak. They do not move. They hum.

And their hum is old.

Older than kings. Older than the first bootprint in the first mud of Loria.

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They are not gods, though I have seen pilgrims kneel at their base and pray with salt-stung eyes. They are not trees, though their trunks rise high enough to silence birds. They are not mushrooms, not exactly, though their vast caps collect starlight and their roots reach the memories of rivers.

They’re not from here. Or perhaps they are here, in the way a foundation is part of a house, or a lullaby is part of a cradle.

"The Cradle is a cradle still, but it rocks fewer dreams now than it did in the elder days."
Griswold Cain

What Are the Mirths?

Some say the first Mirths formed from the last breath of the world’s last dragon — dropped into the soil and left to hum the old world back into shape. Others say they are the dreams of the land itself, tangled into roots and trunk because no one else would remember them.

No record tells of their planting. No one witnessed their birth.

They simply were.

Their roots — vast, golden, veined with light — stretch beneath Loria in what I’ve come to know as the Dreamroot: a slow, glowing network that stitches memory into moss, rivers into song, time into sleep.

Where the Dreamroot runs thick, the laws of the waking world unravel.
Paths drift. Stones hum. Rain forgets how to fall.
I once stepped into a clearing and came out younger. My boots were wet, but my memories were dry.

This is not magic in the way spellcasters mean it.
It is older. It is buried. It is longing.


What Is Mirthroot Resin?

Where Dreamroots thicken, something forms.

Mirthroot Resin.
A golden orb, knotted like a heart beneath the soil. It is not sap. It is not blood. It is the condensed sorrow and song of the Choir, harvested by few and protected by many.

A single drop can mend a shattered mind, awaken old magic, or open doors best left shut. It is distilled dream. And it does not want to be moved.

The Cradle guards it.
With silence. With fog. With beasts made of thorn and harmony.

The wise leave it. The greedy take it.
The Choir remembers both.

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"A single vial of resin is heavier than a kingdom's ransom.
And costlier, if weighed in dreams."
Griswold Cain


The Dreamroot Choir

The Mirths are not individuals.

They are a Choir.

Each Mirth hums a note in an ancient, forgotten harmony. The harmony maintains the balance of breath, time, decay, and rebirth in Loria. When the hum is broken — and I’ve heard it go sharp, once — things unravel.

I walked through a village that had been swallowed by fog. Its name forgotten even by the stones. Children born silent, mouths shaped in song but no voice.

The Choir does not punish.
It mourns.

And mourning has sharper teeth than wrath.


Speculations & In-World Rumors


Suggested Echoes & Adaptations (In-World)


Notes from the Field: Odd Theories, Hooks, and Maybes

I’ve scribbled down a few notions over the years. Can’t say which are true — or if any are wise to pursue — but they may spark something in the right (or wrong) mind.

Of course, it’s all speculation.
Probably best to forget it.
(Unless you’re the sort who prefers to remember...)

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"It is not the silence that will kill us.
It is forgetting the song ever mattered."

Griswold Cain

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